The Invention and Reinvention of “Japanese Culture”

Abstract

A specter is haunting europe and, indeed, the rest of the world: not, of course the specter of Communism, but of that other big C—Culture. At the 1991 Conference of the International Association of Historians of Asia, Prof. Ying-Shih Yu of Princeton University argued in his keynote address that the most important current trend in historical studies was the recognition of “culture as a relatively autonomous force in history” (Yu 1991, 21). For too long, he suggested, historians have looked at the past through a narrow window shaped by the values of the west, and particularly by the all-powerful western notion of history as the pursuit of “scientific truth.” To break through this constricting frame we need to recognize “that the history of every society or people deserves to be studied not only as a part of world history but also on account of its intrinsic values” (Yu 1991, 26); we need, in other words, to accept Watanabe Hiroshi's notion that every society or region may be “‘particular’ in its own way like an individual” (quoted in Yu 1991, 23).