European Journal of Archaeology · 2004 · 46 citations · 35 references
HumanitiesAnthropologyArchaeologyHistorical ArchaeologyNear Eastern ArchaeologyPrehistoric ArchaeologyArchaeological Material CultureNeolithic ArchaeologyPalaeolithic ArchaeologyPaleolithic ArchaeologyPrehistoric ArtStone Tool TechnologyArchaeological Assemblage AnalysisArchaeological Lithic AssemblagesCatalogue CompilationChaîne Opératoire AnalysisEngraved PlaquesLithic Assemblage AnalysisLithic Chaîne OpératoireMother Goddess Archetype
For over a century prehistorians have approached the engraved stone plaques of the Iberian late Neolithic and Copper Age (3000–2500 BC) from a monolithic and idealist perspective, viewing the plaques as representations of the Mother Goddess. Most have not addressed the plaques' variability, their method of manufacture, the organization of their production, or their biographies. This article presents new interpretations of the Iberian plaques based on the first comprehensive on-line catalogue of the plaques – the Engraved Stone Plaque Registry and Inquiry Tool (ESPRIT) (Lillios 2004) – which holds records for over 1100 plaques, each unique, from over 200 sites in Portugal and Spain. Analyses of the plaques' raw material, style, chaîne opératoire , and distribution over space suggest that different plaque types had different functions and meanings, which shifted over time. Two plaque types: the Classic plaques and the Biomorphic Simple plaques are considered in this article. In their diverse forms, the Iberian plaques appear to have been durable records of regional and local group identities and could have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian late Neolithic and Copper Age.
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Archaeological method and theory
Choice Reviews Online · 1990 · 782 citations
Specialization, Exchange and Complex Societies.
Barbara J. Price, Elizabeth M. Brumfiel, Timothy Earle · Man · 1988 · 680 citations
Humanities, Archaeology, History +17