The Communication Review · 2007 · 12 citations · 21 references
HumanitiesCultural StudiesEthnic StudiesAfrican American Cultural StudiesAfrican American Film StudiesMedia CriticismAfrican American Literary StudiesComedy GenresSatireAfrican American ComedyAfrican American Consumer CultureAfrican American StereotypesComic NarrativeDominant CultureHumor StudiesMedia Audience ReceptionWorking-class Consumer Culture
With a “culturally intimate” style of humor that provocatively dissected working-class African-American culture, Richard Pryor was one of America's most popular comedians. This article outlines the different types of Black humor, discusses Pryor's career and comic works, and then examines audience reception of his humor. Despite Pryor's complex invocation of African-American stereotypes, Black and non-Black viewers generally viewed Pryor's comic representations of African-Americans through the lens of dominant stereotypes, especially when a working-class milieu was signified.
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Kenneth Thompson, John Thompson · British Journal of Sociology · 1992 · 644 citations
Framing blackness: the African American image in film
Choice Reviews Online · 1994 · 551 citations
Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films
Thomas Cripps, Donald Bogle, Ralph E. Friar et al. · Cinema Journal · 1974 · 432 citations
Humanities, Film Studies, History +14