Geographic Information Technologies for cultural research: cultural mapping and the prospects of colliding epistemologies

Abstract

Abstract This article discusses potential applications of Geographic Information Technologies in cultural research – amidst concern that confusion surrounds what these technologies are, and how they might be used. We discuss the adoption of Geographic Information Technologies in our own cultural research projects, motivated by empirical shortcomings with existing creative industries and cultural planning research methods, coupled with a desire to more fully explore the geography of cultural life within Australian cities. Geographic Information Technologies can comprise a range of technologies (proprietary GIS software systems, GPS, web mapping) that seek to accumulate geographical information for analysis within computer database systems. In our projects, Geographic Information Technologies enabled spatially sensitive questions about creative activity, affective links to city environments and cultural vitality (asked in interviews and focus groups) to be linked to central map databases. "Collisions of epistemologies" (Brown & Knopp, Citation2008) were made possible, dissolving boundaries between qualitative and quantitative methods, and connecting our philosophical commitment to everyday, vernacular forms of culture to matters of cultural planning. Results showed a refreshing amount of creative activity occurring beyond visible "hubs", in suburbs and the vernacular spaces of everyday life. Moreover, cultural life – and creative activities more specifically – was layered, localized and multifaceted within cities, in ways that preclude singular generalizations. Geographic Information Technologies and maps – with their capacities to capture complexity and layered phenomena – helped communicate such findings in digestible formats, to a range of community and government audiences. Keywords: Geographic Information TechnologiesGeographic Information Systems (GIS)Global Positioning System (GPS)Geowebcultural mappingcreative citycultural planning Acknowledgements Thanks to Heidi Brown at UOW Spatial Analysis Labs for technical assistance; to those who pivotally helped with the running of the ARC Cultural Research Network workshop at the University of Wollongong in 2008 (Sarah Elwood, Andrew Gorman-Murray, Kate Bowles and Jeff Klenotic); and to those assisting the ARC Darwin creative city mapping and ARC CAMRA projects, without which our research could not have been done: Julie Willoughby-Smith, Susan Luckman, Tess Lea, Donal Fitzpatrick, Karen Hughes, Naomi Riggs, Beth Laurenson, Lisa Andersen, Josh Edwards, Ben Gallan. We also thank Jess Scully and Jonathon Rogers from the Creative Sydney Festival and Elisa Lee and Adam Hinshaw from GPS Create for help on the "catch and release" project. The sub-title of this article owes a significant debt to Brown and Knopp Citation(2008), and we trust we have done justice to the spirit of their work here.