Cinema Journal · 2009 · 15 citations · 11 references
This essay looks at how a number of avant-garde films that work with cinematic images of the past involve spectators in the imaginative creation of historical worlds. These films are re-enactments, not in the sense of offering re-creations of specific historical events, but in the sense of involving spectators in an experience that offers them a feeling for the past.
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The Origin of German Tragic Drama
Robert J. Alexander, Walter Benjamín, John Osborne · German Studies Review · 1978 · 903 citations
Choice Reviews Online · 2005 · 888 citations
Passionate views: film, cognition, and emotion
Carl Plantinga · Choice Reviews Online · 1999 · 363 citations