Melville's Thematics of Form: The Great Art of Telling the Truth

Edwin Gittleman, Edgar A. Dryden

The New England Quarterly · 1969 · 31 citations · 0 references

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Abstract

IN RECENT YEARS a number of important studies of Melville have appeared.Although these have approached his fiction from radically divergent points of view, there has been, for the most part, an implicit agreement with Charles Feidelson's belief that Melville "from first to last ... presents himself as an artist, and a conscious artist.