A colour harmony model for two‐colour combinations

Li‐Chen Ou, Ming Ronnier Luo

Color Research & Application · 2006 · 179 citations · 21 references

Concepts

TL;DR

Colour harmony is defined and its links to pleasantness and order are examined. The study investigates harmony in two‑colour combinations to develop a quantitative model. A psychophysical experiment with 1431 colour pairs generated from 54 CIELAB colours assessed harmony on a 10‑category scale. The model was validated on an independent data set and predicted harmony satisfactorily. © 2006 Wiley Periodicals, Inc.; DOI 10.1002/col.20208.

Abstract

Abstract This study investigates harmony in two‐colour combinations in order to develop a quantitative model. A total of 1431 colour pairs were used as stimuli in a psychophysical experiment for the visual assessment of harmony. These colour pairs were generated using 54 colours selected systematically from CIELAB colour space. During the experiment, observers were presented with colour pairs displayed individually against a medium gray background on a cathode ray tube monitor in a darkened room. Colour harmony was assessed for each colour pair using a 10‐category scale ranging from “extremely harmonious” to “extremely disharmonious.” The experimental results showed a general pattern of two‐colour harmony, from which a quantitative model was developed and principles for creating harmony were derived. This model was tested using an independent psychophysical data set and the results showed satisfactory performance for model prediction. The study also discusses critical issues including the definition of colour harmony, the relationship between harmony and pleasantness, and the relationship between harmony and order in colour. © 2006 Wiley Periodicals, Inc. Col Res Appl, 31, 191–204, 2006; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.20208

References

21