Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama

Abstract

LIST OF ILLUSTRATIONS INTRODUCTION 1. INDIGENOUS THEORIES OF SYNCRETIC THEATRE 2. RITUAL FRAMES AND LIMINAL DRAMATURGY 3. LANGUAGE AND THE POST-COLONIAL STAGE 4. ORALITY AS PERFORMANCE 5. VISUALIZING THE BODY 6. DANCE AND BODY LANGUAGE 7. SPACES AND SPECTATORS CONCLUSION BIBLIOGRAPHY INDEX