The Cross and the Harvest Dance: Lynn Riggs’ and James Hughes’<i>A Day in Santa Fe</i>

The White Man's Indian: Images of the American Indian from Columbus to the Present

Jack L. Davis, Robert F. Berkhofer · The American Indian Quarterly · 1979 · 727 citations

Humanities, Ethnic Studies, History +12

Reservation reelism: redfacing, visual sovereignty, and representations of Native Americans in film

Choice Reviews Online · 2011 · 166 citations

Humanities, Cultural Studies, Film Studies +17

Towards a National Indian Literature: Cultural Authenticity in Nationalism

Simon J. Ortiz · MELUS Multi-Ethnic Literature of the United States · 1981 · 99 citations

Social Sciences, Cultural Studies, Literature +8

Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film

Gretchen M. Bataille · Journal of American History · 2011 · 65 citations

Humanities, Cultural Studies, Film Studies +17

Primitivism, cubism, abstraction: the early twentieth century

Charles Harrison, Francis Frascina, Gillian Perry · Choice Reviews Online · 1994 · 64 citations · Full text

Humanities, Art History, History +3