The Musical Times · 1993 · 50 citations · 0 references
HumanitiesMusicologyHistorical MusicologyMusic AnalysisMusic TheoryForm AnalysisMedieval MusicMusic HistoriographyMusical FormMusical GenresTwentieth-century MusicAnalytic Aesthetics Of MusicHistorical Aesthetics Of MusicHistorical Musical WritingIntellectual History Of MusicMusical Form TheoryMusical Theory
Lewin analyzes four 20th-century pieces (Simbolo from Dallapiccola's Quaderno Musicale di Annalibera; Stockhausen's Klavierstuck III; Webern's Op 10 No 4; and Debussy's Feux d'Artifice). He applies the conceptual framework from his work, Generalized Musical Intervals and Transformations.