Music at the Margins: Popular Music and Global Cultural Diversity

Abstract

PART ONE: POPULAR MUSIC AND SOCIETY Popular Music Meanings Industrial Roots PART TWO: NATIONAL CASE STUDIES Popular Music in Peripheral Contexts I Popular Music in Peripheral Contexts II Peripheral Production and the Core Industry PART THREE: MAKING MUSIC ON THE PERIPHERY Everyday Conditions Recording and Publicity Conditions The Musicians and their Music Environment and Creativity PART FOUR: 'POPULAR MUSIC AND SOCIETY' REVISITED Further Thoughts on Popular Music Meanings A Critical Response - Simon Frith