Crime Media Culture An International Journal · 2006 · 151 citations · 12 references
Social SciencesCriminologyHomicideMedia StudiesNarrative StudiesJournalism StudiesJournalistic WritingNarrative ConstructionNews MediaCriminal HomicideHuman Interest StoriesJournalistic FramingMedia NarratologyNews Discourse AnalysisNewspaper JournalismObject NarrativesStylized Dialogue
Readers are positioned as witnesses who experience crime for personal consumption yet are publicly allowed to recover, unlike real victims, a dynamic that shapes how homicide is framed in newspapers and highlights the politicized nature of public responses to crime. The article examines how newspapers invite readers to identify with victims and victimhood to engage them in human‑interest stories, arguing that micro‑level textual analysis is needed to understand the framing that contributes to public narratives. The authors analyze authorial techniques such as defamiliarization and objectification of homicide victims within a mediated‑witness framing that engages readers in a stylized dialogue contributing to public narratives.
This article identifies ways in which newspapers invite readers to identify with victims and victimhood as a route to engaging them in ‘human interest’ stories. Within this framing of homicide for readers as ‘mediated witness’, some of the authorial techniques are explored whereby newspapers engage readers in a stylized dialogue that contributes to the construction of public narratives about homicide. It is argued that researchers, as well as working at a macro level, need to research at the micro level of textual analysis when researching media (including visual media) in order to understand the framing that contributes to public narratives; hence there is analysis of techniques of (a) defamiliarization and (b) objectification of homicide victims. These are some of the means by which the reader is placed as witness, both apparently ‘experiencing’ crime for personal consumption yet, publicly, allowed to recover (unlike real victims of major crime). The recognition of a need for micro-level analysis raises questions about the functions of public narratives, particularly in expressing, exploring and containing public or social emotion, in an era in which public responses to crime have been placed at the top of a highly politicized crime agenda.
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The culture of control: crime and social order in contemporary society
Choice Reviews Online · 2002 · 3.6K citations · Full text
Simon Cottee · Theoretical Criminology · 2002 · 592 citations
Social Sciences, Criminology, Crime +10
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Susanne Karstedt · Theoretical Criminology · 2002 · 247 citations
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