Publication | Closed Access
Writing History, Writing Trauma
1.7K
Citations
0
References
2002
Year
Literary HistoryWriting TraumaGenocideNarrative And IdentityHistorical ReassessmentWriting StudiesDominick LacapraPhilosophy Of HistoryCritical TheoryHistorical TraumaHistorical SpecificityLanguage StudiesHistorical ScholarshipLife WritingGerman Literature
Trauma and its aftermath create acute challenges for historical representation and understanding, prompting LaCapra’s broad inquiry into the problem of trauma in major historical events. LaCapra examines trauma through interlocking essays that adapt psychoanalytic concepts, sociocultural critique, and historical specificity, analyzing Holocaust testimonies, debates over affect and empathy, and the emergence of trauma’s voice in written and oral accounts. LaCapra’s work is a theoretically ambitious, historically informed contribution that advances understanding of trauma in history.
Trauma and its often symptomatic aftermath pose acute problems for historical representation and understanding. In History, Dominick LaCapra provides a broad-ranging, critical inquiry into the problem of trauma, notably with respect to major historical events. In a series of interlocking essays, he explores theoretical and literary-critical attempts to come to terms with trauma as well as the crucial role post-traumatic testimonies-particularly Holocaust testimonies-have assumed in recent thought and writing. In doing so, he adapts psychoanalytic concepts to historical analysis and employs sociocultural and political critique to elucidate trauma and its after effects in culture and in people. In the first chapter LaCapra addresses trauma from the perspective of history as a discipline. He then lays a theoretical groundwork for the book as a whole, exploring the concept of historical specificity and insisting on the difference between transhistorical and historical trauma. Subsequent chapters consider how Holocaust testimonies raise the problem of the role of affect and empathy in historical understanding, and respond to the debates surrounding Daniel Jonah Goldhagen's book Hitler's Willing Executioners: Ordinary Germans and the Holocaust. The book's concluding essay, Writing (About) Trauma, examines the various ways that the voice of trauma emerges in written and oral accounts of historical events. Theoretically ambitious and historically informed, History, Trauma is an important contribution from one of today's foremost experts on trauma.