Sound for film and television

Abstract

Preface to the Third Edition Introduction Chapter 1 Objective Sound Chapter 2 Psychoacoustics Chapter 3 Audio Fundamentals Chapter 4 Capturing Sound Chapter 5 Microphone Technicalities Chapter 6 Handling the Output of Microphones Chapter 7 Production Sound Mixing Chapter 8 Sync, Sank, Sunk Chapter 9 Transfers Chapter 10 Sound Design Chapter 11 Editing Chapter 12 Mixing Chapter 13 From Print Masters to Exploitation Appendix I Working with Decibels Appendix II Filmography Appendix III The Eleven Commandments of Film Sound Appendix IV Bibliography Glossary Index About the Author The Companion Website Instructions for the Accompanying DVD