Romanticism and the Gothic: Genre, Reception, and Canon-Formation

Abstract

Acknowledgments List of abbreviations A note on the text Introduction: Romanticism's 'pageantry of fear' 1. Gothic, reception and production 2. Gothic and its contexts 3. 'Gross and violent stimulants': producing Lyrical Ballads 1798 and 1800 4. National supernaturalism: Joanna Baillie, Germany, and the Gothic drama 5. 'To foist thy stale romance': Scott, antiquarianism, and authorship Notes Index.