The South Korean film renaissance: local hitmakers, global provocateurs

Unknown author(s)

Choice Reviews Online · 2010 · 114 citations · 0 references

Concepts

TL;DR

Korean cinema has experienced a renaissance over the past decade, driven by innovative storytelling and visceral effects that have secured commercial success domestically and regionally while attracting international festival audiences. The book investigates how Korea turned an economic crisis—partly triggered by globalizing film industry processes—into a fiscal and cultural boom through its film sector. The author shows that production companies, backed by affluent corporations and venture capitalists, devised winning production trends, and provides appendices detailing box‑office rankings, production numbers, market shares, and festival showings. Analysis of key films reveals that contemporary Korean cinema simultaneously addresses issues relevant to Korean audiences and incorporates transnational aesthetics from Hollywood, Hong Kong, and Japan.

Abstract

For the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis-triggered in part by globalizing processes in the world film industry-into a fiscal and cultural boom. Jinhee Choi examines the ways in which Korean film production companies, backed by affluent corporations and venture capitalists, concocted a variety of winning production trends. Through close analyses of key films, Choi demonstrates how contemporary Korean cinema portrays issues immediate to its own Korean audiences while incorporating the transnational aesthetics of Hollywood and other national cinemas such as Hong Kong and Japan. Appendices include data on box office rankings, numbers of films produced and released, market shares, and film festival showings.