Arri (Germany)

Creating cinematic wide gamut HDR-video for the evaluation of tone mapping operators and HDR-displays

Jan Froehlich, Stefan Grandinetti, Simon Walter et al. · Proceedings of SPIE, the International Society for Optical Engineering/Proceedings of SPIE · 2014 · 173 citations

Realistic Rendering, Machine Vision, Image Analysis +15

Refocusing distance of a standard plenoptic camera

Christopher Hahne, Amar Aggoun, Vladan Velisavljević et al. · Optics Express · 2016 · 60 citations · Full text

Depth Map Enhancement, Light Field Imaging, Machine Vision +13

Beyond the Kodak image set: A new reference set of color image sequences

Stefano Andriani, Harald Brendel, Tamara Seybold et al. · 2013 · 50 citations

Baseline and Triangulation Geometry in a Standard Plenoptic Camera

International Journal of Computer Vision · 2017 · 40 citations · Full text

Comparison of lossy to lossless compression techniques for digital cinema

Stefano Andriani, G. Calvagno, M. Darigon et al. · 2005 · 31 citations

Digital Cinema, Lossy Compression, Image Compression +6